Judson Crews – Taos, December 24, 2000 | Photo by Mark Weber
We were drinking buddies. My wife and I had moved to Albuquerque the summer of 1991. I knew from reading the little (aka: the littles) poetry magazines that Judson Crews lived in Albuquerque. I think it was Joan Jobe Smith or Marilyn Johnson who gave Judson my address because one day I received a letter from Judson and so we got together. Drank and talked poetry.
Back then the little poetry magazines were on fire. There were at least a hundred very good crazy lively poetry magazines in America during the 1970s and 1980s before the web wiped them out. They didn’t have huge print runs and circulation was spotty, but somehow we all read them. That is, mostly poets read them. And it wasn’t that the writing was all that good, in retrospect, it was mostly the immediacy of them and the exuberance, and the sheer fun of it that made them so good. Poets could cobble together various anxieties and a few nonsequiturs and give it a title and boom boom you got a poem. And boom boom boom you could have it published. All of the poems worked together like a giant soup. Judson had been a mainstay of the littles for decades.
Judson has a style that consists of improvising. He starts off with an opening gambit and then lets it go wherever it suggests. There is nothing in his poems that is factually true, he doesn’t write about his life or tell stories about derring do. The poems write themselves, in a way. I used to argue with him about this, but, over time I’ve come to see his way as so perfect and sensible. It’s not like the poems are not true themselves. And that there are not truths in the poems.
I think Judson was a remarkable poet. In some ways it took me a few years to realize the full measure of his accomplishment.
Nowadays he lives in Taos, New Mexico, near his two daughters and his granddaughters. Mildred Tolbert, the photographer (see her book AMONG THE TAOS MODERNS) passed away in 2007 at age 89. Judson is now 92 and lives at the Taos Living Center. His daughter Anna Bush Crews selected these photos that Judson took in the 1980s. Anna Bush lives half the year in Taos and half in Wales where she taught photography at the university. Judson’s second daughter, Carole Crews, just published a magnificent book on adobe construction called CLAY CULTURE: PLASTERS, PAINTS AND PRESERVATION. Janet and I visited with them over the holidays. His grandson, Sohrab Crews, (son of Anna Bush) is an artist and has a gallery in London.
Mark Weber, 1feb10 Albuquerque
NOTE: Judson can be found on ALBUZERXQUE Vol. 6
Judson Crews | self portrait
MANY ISLANDS
I never said that summer was a sword
I never said that all the soldiers would be deadThe moon rises in summer as in winter
no bayonet yet has spiked it for longOh our season, our season, prismatic as time
our time pragmatic as love. The moonLeft debris in its wake on many islands
on many islands the soldiers lieThey lie in the arms of the memory of mercy
they lie as if smitten with the memory of loveBut it was not the memory that did it here
nor was it the summer’s cruel sword
Judson Crews | smile in Mexico
In Texas we got persimmons
This is what she said, standing in
water just at her breasts — those tinyLittle boobs. Thirteen you might think
she was, but eighteen was more like itThey are up there until the frost turns
them to sugar. I know, I saidWhat you got in Texas. Man
and boy I was Texan for threeDecades. This was at Llano Quemado
the Taos hot springs. Likely, the firstTime she was ever naked in front
of a stranger. Texas. Girls, girlsSome of them are girls forever, no matter
how they grow. The leaves are goneShe said. And they are sweet as sugar
— but you have to shake them down
Judson Crews | as CHET
It’s waking. You
awoke me. It’s brightSun. And as far as the eye can see
it’s a wedding day. Not to a brideTo the earth’s birth. To birdsong
to the rainbow in a cloudless skyEpithalmia. You are hissing in
my deaf ear — dreamer, dreamer, dreaming
Judson Crews | pose for Huntress
So it happened
you got a wood-tickImbedded in your genital pelt. You never
noticed, till he was sucked fullOf your blood, and began to hurt — that
loathsome thing black as a blueberryHow ashamed you were and loathing
as if he were an unchosen rival loverLeeching upon your intimate self
I screwed him out, careful not tobreak off his head in your tender
flesh and make a festering soreIt was only after I threw him and
shattered him and splattered your bloodUpon a rock — that I knew
my true feelings. Then I observedFor days that dark star, and questioned
myself, Am I not he
Judson Crews | red stripe selfportrait
It’s not that she led me on
I was a fool for asking, where are we
going — we were gone. We?I was there alone. I could tell you
the awe I felt, the vista and allIts mystical receding planes
but it’s not so — I was numbMy wonder was a deeper wonder
why was I brought hereHow will I seek a way
of turning back
Judson Crews | shoebox light
If the gods were weeping it is for
Themselves they weep. How many
days did Noah prepare an arkAnd provision it — with slugs
and bumblebees, diverse untowardCreatures. And a few casks of old wine —
Has one of us yetNot waded ashore
Judson Crews | December 26, 2009 Taos, New Mexico | Photo: Mark Weber
Judson Crews & his daughters Anna Bush & Carole Crews December 26, 2009 Taos, New Mexico | Photo: Mark Weber
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